“High above the ground in challenging terrain the various sheaths drop away—conditioning, culture, all the trappings and masks—and you are stripped naked as a newborn. This will always be the signal experience of ascent, and it is inviolable.”
-Jeff Jackson, in response to Peter Beals tirade on the consumerism inherent in climbing media.
1. Intro
2. The Boys Are Back In Town (Thin Lizzy)
live at the Stone Pony, Asbury Park, NJ 3/4/2012, recorded by Tommy R the soundman
3. Upon Viewing Oregon’s Landscape with the Flood of Detritus
from the forthcoming split seven inch single with Diarrhea Planet, recorded…
“Lee has often worked without a specific project in mind, simply making pictures of what he saw, in order, as Garry Winogrand said, to see what it looked like photographed. This way of working led him to look at his contact sheets (of which there have been an astonishing number) to find out what was there that he might not have expected. His shadow, and more clearly defined versions of himself, turned up with regularity. At some point early on Lee realized that he was making self-portraits along with many other photographs that were defining a new landscape for all of us who saw his work. There is a great lesson in this for photographers of today who dedicate themselves to one project or another, failing to understand that the best work might come from an obsession with the medium rather than the personally oriented choice of what might be done with it. Lee always has a camera with him and is constantly making pictures. How much better the work of today might be if all the young and dedicated photographers took up this habit.”
—Richard Benson, on Lee Friedlander’s approach to photography, quoted from his afterword in In the Picture: Self Portraits, 1958 - 2011
